11/15/11
Peaking Lights - 936 - (2011)
11/13/11
Dump - That Skinny Motherfucker with the High Voice? (1998)
11/9/11
11/5/11
11/1/11
10/25/11
Apache Dropout - s/t LP
Pow Wows - Nightmare Soda
https://www.facebook.com/pages/Pow-Wows/146924981990749
http://www.youtube.com/watch?v=5TkIvaRWmXI
5/4/11
Jessie Mae Hemphill - She-Wolf
notes: This compact disc reissue gathers up all the original tracks from Jessie Mae's 1980 debut album for the French Vogue label along with four remixed bonus tracks, all seeing their first domestic release. Recorded by folklorist Dr. David Evans (who also contributes second guitar on 13 of the 15 tracks here) in various locales around Memphis and Mississippi, the music stays down-home and primal throughout. There's a strong sense of rhythm that permeates this record, whether it comes from the fife and drum-derived percussion work of Calvin Jackson and Joe Hicks or simply Jessie Mae's own foot-operated tambourine driving the beat home. Highlights include "Jessie's Boogie" and "Standing In My Doorway Crying" (both sides of her first 45 single, underwritten by the National Endowment for the Arts), "Honey Bee," "Boogie Side of the Road," "Crawdad Hole," "Lovin' In the Moonlight," "Married Man Blues" and the title track. The blues, real and raw
3/9/11
Buffalo Springfield Box Set - 2001
Eric's Trip - Forever Again (1994)
3/7/11
The Great Unwashed- Collection (Flying Nun - The Clean)
link: http://www.mediafire.com/?achud3mrkb242np
3/1/11
Yellow Ostrich - Discogrphy 1st part
2/28/11
V/A - Winter's Bone Original Sound Track
2/17/11
Earl Sweatshirt - Earl
1/26/11
The Go Team - pre Beat Happening 1989
The Go Team got compared to Beat Happening a lot, largely due to the obvious similarities: Calvin plays in both bands, both recorded for the K label, both hailed from Olympia, and they both cranked out their songs with an infectious, hey-kids-let's-play-band enthusiasm. But there the similarity ends, for as good as Beat Happening are (indeed, one of my very favorite bands), they have never come anywhere near the depth and diversity of the Go Team. Part of it might be due to the revolving-door lineup changes, and myriad guest stars, on each release. Each song sounded completely different. One moment they were crashing through three-chord slices of pure pop, the next moment it was several guitars interlocking and creating a quiet tension, followed by crushing, near-industrial textures.
The first Go Team project, Recorded Live at the Washington Center for the Performing Arts, was literally a tape of construction sounds as recorded by Calvin, who lived across the street from the theater as it was being built. Your Pretty Guitar, with Calvin and Steve Peters, and Donna Parker Pop, with Calvin and Tobi Vail, were more song-oriented. But it was Archer Come Sparrow, released early in 1989, that really turned my head around toward the Go Team--pure, direct and utterly addictive, all for less than half the price of a CD.
Complete article here: http://www.appelstein.com/cif/goteam.html
1/23/11
MATTHEW MELTON - "Still Misunderstood" [2010]
These thirteen unreleased tracks transcend genre classification, their raw originality setting them outside the bounds of any recognizable category. Yet this originality coincides with an eerie familiarity that reflects Melton’s acute awareness of what makes great music, regardless of time or trend. sounding almost like the musically wiser big brother to the current crop of lo-fi garage poppers like Thee Oh Sees and the Sic Alps and Ty Segall. Melton's songs just sound more world weary and experienced, there's still a youthful exuberance, but it's a bit tarnished, a little gritty and grimy, and it just suits the sound and the songs. Still Misunderstood collects early tracks and demos from Melton that predate both Bare Wires and Snake Flower 2, and while it seems even back then his songwriting was fully formed, it is still developing in some ways, the influences of early rock and roll is way more obvious, the Kinks, the Who, the Flamin' Groovies, sixties and seventies garage pop, big choruses, clean jangly strum, tambourine, simple pounding drums, swirling wah guitar, a little psychedelic, a little lo-fi, but awesomely propulsive and fuzzy and rocking. Enjoy It.
1/6/11
THE WEDDING PRESENT The (classic) Steve Albini Recordings 1990-1991
Collection of songs that the Wedding Present recorded with Albini - . Starting in 1990 with the re-recorded "Brassneck" (originally recorded and released on the 1989 LP Bizarro) backed with three other tracks (including a song written by then-unknowns Pavement "Box Elder", a track discovered by Weddoes bassist Keith Gregory when visiting New York City in 1989, before virtually anyone had heard of Pavement), Albini went on to engineer the vast majority of Wedding Present sessions up to and including their third LP Seamonsters, released in 1991.
So first we have the "Brassneck" EP with its associated B-sides. Then, we get the "3 Songs" EP which introduced the classic "Corduroy" to the world - a re-recorded version would feature later on the LP. Then, we get the B-sides to "Dalliance" (the lead single off their forthcoming LP), and then we get the Seamonsters album proper. Then we have the "Lovenest" single in its entirety, and then lastly two more covers also recorded by Albini.
This collection of material is stunning in its breadth and power. The Weddoes, in your humble blogger's opinion, never bettered this material featured here - I'm even including their most recent record that has the Weddoes name on it, and was recorded by Albini, but doesn't rate at all. enjoy it play it loud.